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Needless to say Kurt Vonnegut was a far bigger deal in the literary world, both critically and comercially, than Michael Dibdin ever was, but I never quite got to grips with him in quite the same way. I read the book upon which the bulk of his reputation rests, Slaughterhouse-Five, and I've also read Breakfast Of Champions and Galapagos. I think you either instantly engage with and love the constant structural experiments and the self-referentiality or you find the whole thing leaves you a bit cold and yearning from some proper literary meat to chew on. I probably fall into the latter camp, which isn't to say I didn't find the books enjoyable, just that I wasn't fired with an irresistible urge to seek out and read any more of them.
After having a root around my bookshelves last night I discover I've also got one of his earlier ones, The Sirens Of Titan, though I've never read it. I'll get to it eventually.
Slightly bizarrely, I was inspired to read Slaughterhouse-Five after hearing it mentioned in the film Footloose, the classic piece of 1980's teen tosh. When you're a teenager anything that might have been banned somewhere sounds like the sort of thing you want to be reading.
Reverend, we have a little problem.
I heard the English teacher is planning to teach that book.
Slaughterhouse Five. Isn't that an awful name?
1 comment:
thanks for the Kurt entry, that's great. I just felt I had to comment, as I is a polite lady innit.
The moustaches are good too, but I think that José Bové's moustache beats the lot.
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