I recall that during Butler's time in the Welsh team and particularly on his being named as captain in 1983 there was a bit of suspicion of him in some quarters owing to his public school and Cambridge University background (and not, presumably, something more appropriate like coal-mining). Similarly during his career as writer and broadcaster his penchant for slightly flowery poetic flights of fancy was a bit Marmite-y, and occasionally prompted the thought that he was enjoying the sound of his own voice more than the audience was. But his occasional commentary sparring with Brian Moore was always entertaining and clearly derived from mutual affection, like for instance this entertaining exchange about Gavin Henson's leg-shaving habits before he kicked the monster penalty that defeated England and started Wales' 2005 Grand Slam campaign.
He also did some interesting stuff outside of the narrow subject of rugby union, including this half-hour documentary about his birthplace and my place of residence, the city of Newport. Among the many interesting historical snippets included are a bit about the city's key role in the Chartist movement, the Newport Rising in particular, and the role of John Frost in all of it. Frost managed to avoid being massacred and lived to the ripe old age of 93, long enough to be pardoned for his role in the uprising, but not long enough to see various Newport landmarks being named in his honour including John Frost Square in the city centre and John Frost School.
We'll come back to the square in a minute, but the school illustrates the city's rather incoherent approach to commemorating its Chartist history: it was renamed (it was formerly plain old Duffryn High School) in 2015, but only two years earlier the city had approved the demolishing of the Chartist mosaic/mural in the city centre, albeit in a rather unprepossessing location on an underpass wall.
Anyway, back to John Frost Square, in a roundabout sort of way (that's a hilarious pun, for reasons that you'll see in a minute) - I was delivering Nia to her best friend's house at the weekend for a sleepover and pointed out the big clock sitting on top of a pair of steel columns that occupies the roundabout at the entrance to the new(ish) Glan Llyn estate, which in turn occupies part of the western end of the vast Llanwern steelworks site. Anyway, I told Nia that I was vaguely aware that the clock used to be in the city centre somewhere and moreover had some sort of mechanism that opened up the top and did something dramatic on the hour.
Further investigation reveals that it is a mechanical sculpture designed by a guy called Andy Plant , was formerly situated in John Frost Square (between about 1994 and 2008, as far as I can gather - there is some info on that Wikipedia page) and did some fairly bonkers stuff as part of its on-the-hour routine. It does seem a pity that the mechanism isn't operational any more - I've no idea whether it's still in there but needs a squirt of WD-40 or if it's been removed, but if it's the former (as seems more likely, on balance) it seems a shame not to spend a bit of money repairing it. That said, it doing its thing in the middle of a roundabout might be deemed a bit of a distraction hazard for motorists and there might not be the appetite for another relocation (nor indeed anywhere for it to go).Just to clear up another couple of Newport claims-to-fame in the Butler documentary: it is certainly true that Joe Strummer lived in Newport in the 1970s (when he went by the name Woody Mellor), but it seems to have only been for about a year between 1973 and 1974, so any formative influence on his later work with the Clash seems a bit dubious. Even more dubious is the claim that Newport was the place where the mole grip was invented, as there seems to be a general consensus that it was invented (admittedly under a different name) in Nebraska in the 1920s. Newport was certainly the centre for UK manufacture from the 1950s onwards, but anyone claiming that means they were invented here needs to, so to speak, get a grip.
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