meet the new song, same as the old song

As a further tribute to Prince, here's a two-item music list for you: songs which start, do the basic tune for a bit, then have a sort of break-down section where things go a bit wibbly-wobbly for a while about two-thirds of the way through, before cranking back up to the original riff/chorus/whatever for a brief finale, then almost immediately signing off.

• Won't Get Fooled Again by The Who. A song only a year younger than me and still one of the top two or three most viscerally thrilling rock songs ever recorded, this smashes out one last colossal powerchord before a section featuring just the pulsing synth line that runs through the whole song, then gradually winds up Keith Moon to a frenzied drum tattoo that precedes Roger Daltrey's throat-stripping YEEEEAAAHHHH (as featured regularly on CSI:Miami), the brief bit about "meet the new boss, same as the old boss", a few more powerchords, and then thank you and goodnight.
• I Could Never Take The Place Of Your Man by Prince. This has a longer break-down section featuring some nice jazzy guitar-playing which eventually winds back  up to a "one, two, three, four" (well, on repeat listening it's actually "one, two, one, WOOOO") and a quick blast through the song's main riff, and then before you know it it's gone, with just a wisp of guitar feedback hanging on the air.

Both songs were also issued as singles with the break-down section edited out (plus quite a bit more stuff in the case of Won't Get Fooled Again) to bring them both down to about 3½ minutes. In both cases it's the longer version you want.

Here's the raw data, complete with WAV file profiles for both songs: the break-down section in Won't Get Fooled Again runs from about 6:35 to about 7:45, while the longer one in I Could Never Take The Place Of Your Man runs from about 3:45 to about 6:00.