We're in some loosely-identified mid-west location (generally accepted to be Iowa, though I don't think it's ever explicitly identified), in the small town of Grafton in Grouse County. A place where not much happens, and such stuff as does happen is benignly overseen by laid-back sheriff Dan Norman. It's a small town, where everyone knows everyone, everyone's parents knew everyone's parents, and everyone knows everyone's business, which can be comforting and friendly, but can also be stifling and frustrating.
Some drama does crop up occasionally: Dan rescues an abandoned baby from a cardboard box in a supermarket parking lot and there is a brief flurry of excitement over who the mother is and whether she can be found. Meanwhile Louise Darling is finally tiring of her husband Tiny's petty criminal lifestyle and occasional violent outbursts, and after she sends him on his way she and Dan strike up a tentative relationship.
Tiny, meanwhile strikes off for various out-of-state locations where he does occasional manual work and gets involved with some slightly shady self-help group. Tiring of all this he eventually returns to Grafton, where he finds that Dan and Louise have moved in together, got engaged and subsequently married. It hasn't been all plain sailing for them, though: Dan has been suffering from insomnia, sleeping apart from Louise, and has engaged a therapist, although she finds him largely unreadable.
Eventually Dan and Louise get pregnant, and make all the usual preparations for having a baby, only for Louise to suffer a stillbirth at thirty-six weeks and nearly die in the process. As part of her recovery process she spends some time at a camp run by some friends in Minnesota, takes on some administrative duties to keep her busy and repeatedly extends her stay, seemingly to avoid having to return to her life in Grafton. Meanwhile Dan is up for re-election as sheriff, normally a formality but this time he's got an opponent with some serious money behind him and a willingness to wage a dirty-tricks campaign, masterminded by none other than the returned Tiny Darling. Needless to say Dan's problems are compounded by his mind not being fully on the job, what with one thing and another.
Eventually, as winter sets in, Dan makes the trip north to rescue Louise from her self-imposed exile, and on their return they effect a dramatic rescue of local teenager Albert Robeshaw and his girlfriend Lu Chiang who have got lost in a snowdrift. Louise returns to her job at the photography shop and when spring eventually rolls around everyone is all about the new beginnings and putting the past behind them.
As was the case with both A Stone Boat and The Leaves On Grey my perceptions of this book are probably skewed by the contrast with the book that immediately preceded it in this list, in this case Beloved. Just to be clear, I enjoyed The End Of Vandalism very much, but the story meanders along very benignly, with the central characters bimbling along in their own slightly aimless way. Dan and Louise are the heart of the story here, and both are very endearing (and endearingly flawed) characters, though we don't actually learn very much about either of them. The only proper sense of danger or excitement is provided by the big set-piece where Louise and Dan lose the baby and Louise nearly dies, which provide a slightly incongruous contrast with the rest of the book. I suppose the starkest contrast with Beloved is that despite the majority of the action happening only a couple of states (and, to be fair, a hundred years) away, there are no discernible black characters here.
There are, it seems, a lot of people who would have The End Of Vandalism in their Great Novels Of The 1990s lists. I suppose I would respond to that by saying that I concur with the sentiment expressed in this review:
There's an awful lot here to like: the dialogue, the sly humor, the feather-light touch, the clean drive of the prose. All Drury needs is a plot for his work to really take off.
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