So it's RIP Pete Seeger, folk pioneer, political campaigner, environmental activist and the late Kirsty MacColl's step-half-uncle. While he undoubtedly wrote some significant songs, I have to say I find that particular brand of folk music to be a bit off-putting in its wide-eyed earnestness and hearty all-join-in mateyness, and moreover I can't quite shake the mental picture of Keith (as played by Roger Sloman) from Nuts In May strumming his banjo and singing about going to the zoo.
So while Seeger's pioneering work paved the way for the folk revolution of the early 1960s of which Bob Dylan was the figurehead, it's easy to see why it was Dylan's looser, cleverer, more sardonic songs with their mix of traditional protest and personal and sexual politics which really struck a chord with the record-buying public. Add to that Dylan's willingness to experiment musically (in contrast to Seeger's traditionalism) and you have (to me at least) a much more interesting mix. Seeger's reaction to the key moment in Dylan's career, his going electric in 1965 at the Newport Folk Festival, is the subject of some controversy, depending who you believe Seeger either lost his shit completely and tried to cut the cables with an axe or just protested the rotten sound quality which was preventing the audience from hearing Dylan's lyrics.
A bit like JJ Cale, a lot of Seeger's songs are better-known via other people's versions. Here's Peter, Paul and Mary's version of If I Had A Hammer, and here's the mighty Byrds with their electrified version of Turn! Turn! Turn! in 1965. Turn! Turn! Turn! was famously based on some Bible verses, specifically Ecclesiastes 3:1-8, which you need to be careful not to confuse with Ezekiel 25:17 if you can possibly avoid it.