It's the early 1970s, pretty nearly a full quarter of a century after Indian independence and the end of colonial rule. Lots of British people involved in the old system of colonial rule have packed up and gone home, there being no need for them to stick around among a population less inclined to consent to being subjugated and abused. I mean, where's the fun in that? Honestly, if you can't even find a decent punkah wallah to keep you cool while you're sipping a pink gin then you may as well be in Swindon.
Some have stayed, though, and will have a variety of reasons for doing so - maybe they have business interests in India, maybe they've married into Indian society, maybe they just like it there. For some it's more about having been in India for so long that they wouldn't feel comfortable in British society any more, and maybe because the cost of living over there is higher, plus the cost of getting there in the first place, plus perhaps a bit of laziness about uprooting oneself from a reasonably comfortable life and sailing off into the unknown.
This latter category of people definitely includes Tusker and Lucy Smalley, eking out a just-about-comfortable existence, mainly facilitated by Tusker's military pension, living in the lodge attached to a fairly dilapidated old hotel in the small-ish town of Pankot. The hotel is run by the comically rapacious (money, food, sex, you name it) Mrs. Bhoolabhoy and her somewhat downtrodden husband; Mr. Bhoolabhoy maintains cordial relations with the Smalleys and occasionally enjoys a few drinks with Tusker, but Mrs. Bhoolabhoy regards them generally as an inconvenience and a potential problem should she wish to sell the hotel, something she has considered doing as profits have diminished since the building of a newer, swankier hotel just down the road.
Obviously during the Raj the social structure was nice and clear: the British are in charge and the natives do their bidding or expect a damn good thrashing. But 25 years later it's considerably less clear - some residual deference remains, and some residual expectation of deference remains in people like the Smalleys, both in their early seventies and fairly set in their ways. But for younger Indians in particular there's less of a sense that they should do as they're told by a bunch of elderly foreigners: after all, why should they?
The Smalleys' financial position is in a state of constant precariousness, not helped by Tusker's past unwise business dealings, some gambling problems and ongoing fondness for a drink or two. As befits people born in the early years of the twentieth century it's been Tusker who has held the financial reins with Lucy - objectively the more sensible and responsible of the pair - having precious little to do with it, and in a position of knowing very little about the details, including what her position would be if Tusker were to die, something that's been on her mind since he had a mild heart attack a while back.
The Smalleys (mainly Lucy) maintain some correspondence with Britain, mainly people they knew from India who've now returned, or in some cases their children, and via this route Lucy learns that a vague acquaintance of an acquaintance, Mr. Turner, is visiting India and wants to pop in to say hello. This prompts a frenzy of excitement about what stuff they can get him to bring from home - with some it'd be Marmite, for Lucy it's a particular brand of blue rinse hair dye - and how they're going to make him welcome when he arrives, resources for lavish banqueting and the like being a bit thin.
Meanwhile Mrs. Bhoolabhoy has seen the writing on the wall regarding the future of the hotel and has decided to sell up. This means that someone is going to have to write a letter to the Smalleys telling them that their tenure of their little lodge at preferential rates is at an end, and they'll have to find somewhere else to live, and that someone is Mr. Bhoolabhoy. And it turns out that it is the receipt and reading of this letter which is the thing that finally finishes Tusker off, his body being found later that day after suffering a massive heart attack, his hand still clutching the letter.
Paul Scott is of course most famous for the Raj Quartet, which is in turn best known for its 1984 TV adaptation, The Jewel In The Crown. Staying On is a sort of footnote to this series of much chunkier books, and the Smalleys feature as minor characters in the later novels in that series. I didn't know this when I bought my second-hand copy a few years ago and I can tell you that you have no particular need to plough through the quartet to appreciate this, unless you want to, of course, in which case have at it. Staying On, despite being written later, was actually adapted for TV first, in 1980, and the whole thing appears to be available on YouTube. It stars Trevor Howard and Celia Johnson, more famous from Brief Encounter, as the Smalleys.
None of the great sweep of history that I imagine (possibly wrongly) features in the Raj Quartet here, just two fairly unexceptional people eking out the last few years of their lives (the last few days, in Tusker's case). No suggestion that Tusker was a particularly good soldier, despite eventually rising to the rank of colonel, nor a particularly effective businessman, nor even a particularly attentive husband, though he clearly does love Lucy in his own gruff and inarticulate way. There's an odd mix of comedy and pathos here with the two sometimes clashing with each other a bit, but you do feel a pang of sympathy for the Smalleys, desperately hanging on to the only life they've ever known while the country reinvents itself under their feet. I do agree with this Guardian review that Mrs. Bhoolabhoy is something of a grotesque caricature, but overall I enjoyed it; the 1977 Booker panel evidently felt the same way. Scott was unable to attend the presentation as he was already ill with the cancer that was to kill him a year later; he was also apparently a chronic alcoholic which probably didn't do much for his general health.
Previous Booker Prize winners on this list are: G. (1972), The Siege Of Krishnapur (1973), The Conservationist (1974), Midnight's Children (1981), Hotel Du Lac (1984), The Remains Of The Day (1989), Paddy Clarke Ha Ha Ha (1993), The God Of Small Things (1997), The Sea (2005), The Gathering (2007), Wolf Hall (2009) and Bring Up The Bodies (2012). The Siege Of Krishnapur, Midnight's Children and The God Of Small Things also feature in the list of books set primarily in India, a list that I would have expected to also include a few others off this blog, but the only one I can think of is A New Dominion; novels that tangentially feature India would include The Marriage Plot and Around The World In Eighty Days.



















